![]() King Gizzard have a knack for this quick tempo switch and it is on full display here as the song ends feverishly with the bass riff, some pounding of the ivories and the return of the harmonica. The song quickly switches to a singer/songwriter on a keyboard tune before moving back into the riff. This retro party plays itself through the first half of the album until “Reals Not Real” launches the catchiest riff on the entire record – maybe in the entire King Gizzard collection. The track has an extra southern ring with the consistent foot tapping harmonica in the background. This relaxed spirit hits you right away when the title track opens the album which has a 70’s freedom rock sway which is followed by “Boogieman Sam,” that brings back that classic warm ride of The Allman Brothers or Blackfoot. The overall record is very loose and laid back. ![]() Guess what? Fishing For Fishies continues that trend as it is not like any previous releases although it does have elements of the breezier moments that you could find on 2015’s Paper Mache Dream Balloon. Honestly, the diversity of King Gizzard is what has always been a draw to this group because they have never made the same album twice. TFN Final Take: King Gizzard & The Lizard Wizard have returned with their fourteenth album since their 2012 debut – and it is their first since releasing five very different albums in 2017. ![]() Sound: 70′ warm jamming sound laced with harmonica and some electro Devo rhythms. Who: Australian neo-psych wizards King Gizzard are back with their 14th long player.
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